A world where a kitten/poptart hybrid can fly through outer space shooting rainbows behind it while a relentless techno-pop repetition of the Japanese version of “meow” plays in the background can’t possibly be all bad.
Rare indeed is the movie that earns four stars upon first viewing in a theater, at least in part because when the 8sails staff ventures into a theater it’s usually in search of some escapist trash rather than a genuinely good movie. Moneyball was a rare exception, not only to the “movies in theaters are bad” rule but also the “baseball movies tend to not ‘get’ baseball” rule. I went in skeptical but came out impressed, a truly noteworthy moment.
I’m genuinely in awe of the folks at Bad Lip Reading. They go over footage – most often from music videos and political ads – and figure out what other words might sync up perfectly with the onscreen mouth movements. Often the result is pure gibberish (which in the case of the Michelle Bachman video wasn’t all that big a departure). They’re all funny, but the one that had me literally in tears was a bizarre hybrid of the basic thesis from Taro Gomi’s popular children’s book synced up with the Black Eyed Peas’ “Boom Boom Pow” video.
Take footage from a wildlife show about our friend the honey badger. Add some fairly random narration by some guy named Randall, and suddenly it’s a minor-league culturalphenomenon. A friend even found a honey badger T-shirt at Wal-Mart (the “Honey Badger don’t care” version rather than “Honey Badger don’t give a shit,” naturally).
One of the big themes of Media 2011 was “repurposing” – taking something somebody else already did and messing with it until it turns into something new. A lot of people suck at this, but not The Possum Posse. These guys found some crazy, copyright-expired movie about a frontiersman who rides around the Wild West on the back of a hapless buffalo. Cutting it way down and putting it to music renders it absolutely hilarious.
Because a blog this fabulous can’t go unnoted. Seriously, though, this was the first actual “blog” blog we tried, and at this point I’d describe it as reasonably successful. The goal for 2012 is to get more content in here.
If the one-day fudge on the last one was a “bit of a cheat,” this one’s massive malfeasance. This article originally appeared on Cracked.com nine months before 2011 got underway. But I didn’t run across it until earlier this year. And it’s one of the funniest things I’ve ever read, well worth bending the rules to call it to your attention.
In years past I’ve written up the eight best media moments of the past year as a Hoffman Lens column. But the format seems to fit well here. Plus this way I can draw it out for eight days and finish it on New Years Eve.
Without further ado:
Number eight: Deadwood on Blu-ray
Technically this one’s a bit of a cheat, because the Blu-ray box set of all three seasons was issued on Dec. 31, 2010. But we didn’t get it until months later, and we didn’t start watching it until December. Oh that we could have started earlier. The image quality is truly breathtaking, making the visuals a worthy counterpart to the writing and the acting. The experience left me longing to be back in a cabin in the Black Hills again (not that I wasn’t longing for that anyway).
Also, when exactly is the 12th day of Christmas? Is it January 5? Is it December 25 (making the first day today)? Or given that the Christmas crap hits shelves as soon as the Halloween crap exits for the bargain table, is it November 12?
Somewhere between his dating-Julia-Roberts popularity in the early 1990s and his kicking-ass-on-24 popularity in the 2000s, Kiefer Sutherland went through a patch in which most of the jobs he could get were movies like this. He plays an alcoholic – big stretch – cop who gets a sharp rap on the head and ends up with psychic powers. Imagine the dullest, most predictable path such as set-up could take, and you've seen this picture without having to actually see it. Originally released as After Alice. See if desperate
Just a couple of minutes ago, I completed the last of the structural work on the Media Survival Guide. From here I have three more chapters to finish researching, and after that it’s all writing (and web page building of course). So that’s three “feature length” chapters and five shorter “specialty” chapters to go.
For the first time The Project seems like it might actually have an end.